The nineteenth century saw a complete transformation of the practice and reputation of surgery. This book follows its increasingly optimistic evolution, drawing from the examples of surgical textbooks with a focus on the extraordinary visual materials of the mid-nineteenth century.
'In a work called Auge/Maschine, Harun Farocki coined the term "suicide camera." Auge/Maschine shows cameras mounted to the tips of missiles during the first Gulf War. The camera would broadcast live until it exploded. But contrary to all expectations, the camera was not destroyed in this operation. Instead it burst into billions of small cameras, tiny lenses embedded into cell phones. The camera from the missile exploded into shards that penetrated people's lives, feelings, and identities, skimming their ideas and payments.' Hito Steyerl: Duty Free Art